top of page
  • Facebook - White Circle
  • Twitter - White Circle
  • YouTube - White Circle
  • Instagram - White Circle
  • SoundCloud - White Circle
  • bandcamp-logo_circle-icon_white

BIOGRAPHY

PHOTOS

All photos by Rebecca Blissett.

IT'S SAID if you don’t bring forth what's within you, what you don’t bring forth will destroy you. Vancouver singer/songwriter, poet and playwright Rodney DeCroo knows that choice well, and despite amassing an acclaimed body of work since his 2004 debut album, the pressure to heed an uncompromising muse nearly proved his undoing.

 

In 2010, DeCroo began a sabbatical from music, producing an acclaimed poetry collection— and spoken word album—drawn from his childhood in Western Pennsylvania. He also mounted a one-man theatre show, all of which was an outgrowth of therapy to cope with PTSD.

 

In 2015, DeCroo returned to the studio with Campfires On The Moon, an intimate collection of songs hailed as the most inviting music he’d made to date. That beacon is burning brighter on his new, seventh full-length album, Old Tenement Man, a sprawling work of unflinching lyric-driven rock and roll, infused with the legacies of Lou Reed and Leonard Cohen.

 

Working with producer by Lorrie Matheson (Art Bergmann, Rae Spoon) at his Calgary studio Arch Audio, DeCroo struck the perfect sonic balance through which to display the full range of his poetic gifts and a renewed commitment to reaching more ears.

 

“I wanted to work with an experienced producer on this album, and Lorrie was at the top of the list,” DeCroo says. “It was the first time I told anyone I was going to leave it all in their hands, and I couldn’t be happier with what Lorrie did. I’ve always been labeled ‘alt-country’ and getting to draw from Lorrie’s breadth of knowledge pushed me out of my musical bubble.”

 

Indeed, the fully fleshed out arrangements on songs like “When It’s Everything” and “In The Backrooms Of The Romance” leap out of the speakers with a melodic force unlike anything DeCroo has done before. Even Old Tenement Man’s most harrowing moments, such as “Ten Thousand Feet Tall,” and “The Barrel Has A Dark Eye,” thrill with the precise control both DeCroo and Matheson deploy to build the drama.

 

Two songs in particular, “Lou Reed On The Radio” and “Like Jacob When He Felt The Angel’s Touch,” exemplify the album’s hard-bitten grandeur. They partly arose from the sad end to a decade-long close relationship DeCroo had with a neighbor who'd helped him through his personal struggles. Their bond was severed when the neighbor learned he had terminal cancer, and told DeCroo he no longer wanted to see him. DeCroo could hear him at night through their adjoining walls, but couldn’t do anything to ease the suffering.

 

“That was hard,” DeCroo says. “It was a wake-up call to not indulge the worst parts of myself. That would've dishonored my friend. I needed to throw myself into my work rather than succumbing to self-pity and my destructive impulses. These songs are meant to honour my friend, but I also got out a lot of anger through some of the characters.”

 

DeCroo experienced the dark side of human nature from childhood. His father, a Marine, was sent to fight in Vietnam at age 18 and the after-effects of PTSD and addiction were passed on to his offspring. Upon deserting, DeCroo’s father escaped with the family to the B.C. wilderness, resulting in DeCroo growing up in an ever-present state of fear. It’s taken DeCroo decades to deal with it all, but he worries that North America is producing more kids like him at an alarming rate.

 

“Those album characters reflect the resentful parts of myself that were killing me,” DeCroo says. “I wanted to write them out, so I could lay them to rest. But they’re also a reflection of some of the ugly personalities in power, and a lot of the people that support them. That’s why I ended the album with “The Barrel Has A Dark Eye.” I wanted to leave listeners with the question, who actually is the enemy?”

 

Although Rodney DeCroo’s quest for peace remains ongoing, the immense strides he's made over the past half-dozen years has bore fruit on Old Tenement Man, an album that places him in the upper echelon of Canadian singer/songwriters. It's an album that reflects the times in which we live, and its themes will surely resonate long into the future.

Download:  colour   |   colour (high res) |   black/white 

Download:  colour   |   colour (high res) |   black/white 

Download:  colour   |   colour (high res) |   black/white 

Download:  colour   |   colour (high res) |   black/white 

Download:  colour   |   colour (high res) |   black/white 

Download:  colour   |   colour (high res) |   black/white 

Download:  colour   |   colour (high res) |   black/white 

Download:  colour   |   colour (high res) |   black/white 

Download:  colour   |   colour (high res) |   black/white 

Download:  colour   |   colour (high res) |   black/white 

Download:  album art

media kit

GENRE:                        Rock / Singer-Songwriter

​

BASED IN:                   Vancouver, BC

​

YEARS ACTIVE:         2005 - present

DISCOGRAPHY

2015 – Campfires On The Moon

2012 – Allegheny (spoken word)

2010 – Queen Mary Trash

2008 – Mockingbird Bible

2006 – Truckers’ Memorial (with Rae Spoon)

2005 – War Torn Man

2004 – Rodney DeCroo And The Killers

​

POETRY

Next Door to the Butcher Shop (Nightwood Editions, 2017)

Allegheny, B.C. (Nightwood Editions, 2012)

​

DRAMA

Stupid Boy In An Ugly Town (2013)

Selected Performances: Vancouver Fringe Festival, Winnipeg Fringe Theatre Festival, Vancouver International Writers’ Festival, Edmonton International Fringe Festival

OLD TENEMENT MAN (2017)

ALBUM TEAM

​

Produced and mixed by LORRIE MATHESON (Arch Audio)

Mastered by HARRIS NEWMAN (Greymarket Mastering)

 

RODNEY DECROO   guitar, vocals

LORRIE MATHESON   guitar, keyboards, bass

CHRIS DADGE   drums

TIM LEACOCK   electric guitar on In The Backrooms Of The Romance

JOE MCCAFFERY   electric guitar on The Barrel Has a Dark Eye

​

DOWNLOAD

Rodney DeCroo with Clara Schandler (cello), Caitlin Toom (piano) playing "Radio" from upcoming album 'Old Tenement Man'

VIDEO

Official video for "Like Jacob When He Felt The Angel's Touch"
Produced by Eden Munro + Mike Siek (NTT FILMS)

TOUR

​

​

May 4       Green Door  –  KIMBERLEY, BC

​

May 5       The Slice  –  LETHBRIDGE, AB

​

May 6       The Ironwood  –  CALGARY, AB

​

May 10       International Beer Haus  –  RED DEER, AB

 

May 12       House Concert  –  WINNIPEG, MB

 

May 13       Cloud Nine  –  REGINA, SK

 

May 14       Buds on Broadway  –  SASKATOON, SK

 

May 15       Buds on Broadway  –  SASKATOON, SK

 

May 16       Buds on Broadway  –   SASKATOON, SK

​

May 17       Buds on Broadway  –   SASKATOON, SK

​

May 18       The General Store  –   TWIN BUTTE, AB

 

May 19       The Needle  –   EDMONTON, AB

​

May 20       The Black Dog  –  EDMONTON, AB

 

May 31      The Cultch  –  VANCOUVER, BC

​

​

​

​

 

July 13       Kaffé 1870  –  WAKEFIELD, QC

​

July 14       Phog  –  WINDSOR, ON

​

July 16       This Ain't Hollywood – HAMILTON, ON

​

July 18       The Cornerstone – GUELPH, ON

​

July 19       The Miners Tavern – TEMISKAMING SHORES, ON

​

July 20       The Burdock  –  TORONTO, ON

​

July 21       Barfly – MONTREAL, QC

 

July 22       The Garnet – PETERBOROUGH, ON

​

July 23       The Orchard – TORONTO, ON

​

WESTERN CANADA

CENTRAL CANADA

PRESS

PRAISE FOR OLD TENEMENT MAN (2017):

​

“His powerful new album Old Tenement Man [ …] is a record of record of noisy peaks (the distortion -blazed “Jacob’s Well”)  and delicate valleys (the lovely acoustic exorcism “Little Hunger”). The album is important because it showcases DeCroo as someone who- like Neil Young and Lou Reed – is capable of reinventing himself sonically.”
– Georgia Straight

​

“The album to make all sorts who didn’t “get it” before figure it out. He sounds like he’s having a blast and it’s infectious.”
– Vancouver Sun

​

“Once I’d heard Rodney DeCroo’s forthcoming album, “Old Tenement Man,” I absolutely could not get it out of my mind. […] This is a powerful set of songs, from a terrifically talented songwriter.”
– Great Dark Wonder

​

“Rodney DeCroo is back!”
– Lethbridge Herald

​

“[DeCroo] turns up the volume on Old Tenement Man, with bracing results.”
FYI Music News

​

“Tenement is, to borrow a phrase, a brilliant record. It’s a grit-caked, guts-stained guttural work that’s so immediate, alive and honest you’ll hear its heartbeat before you press play, but so timeless that you’d swear you could sing every line on first listen.It’s astonishing, really, just how classic of a contemporary rock record it is.”
 The YYScene

​

“Canadian creative powerhouse Rodney DeCroo is wowing with his latest album, Old Tenement Man.”
– 
Canadian Beats

​

“DeCroo’s the kind of musician who is unsettling in just the right way and he gets that vibe just right on

his new album Old Tenement Man.”
– 
Saskatoon Star Phoenix

​

“It is the perfect backdrop for DeCroo’s chief, rare gift; he is an exquisite, literate, surreal, and rich lyricist.”
 The Daily Gleaner

​

“Vancouver’s DeCroo knows lots about creating vivid characters with complex stories, and getting them out in dramatic fashion. On his latest album, those songs burn with added intensity thanks to tightly wound but very catchy melodies. He and producer Lorrie Matheson have turned these into compelling tales no matter the darkness inside.”
– Top100CanadianSingles (Bob Mersereau)

​

“I really like Old Tenement Man.”
  BC Musician Magazine

​

“DeCroo is a little Dylan with Leonard Cohen, Nick Cave, John Cooper Clarke ("Beasley Street"),
and a vocal smidgen of Kurt Vile.”

 Waterloo Region Record

​

​

​

PRAISE FOR OLD TENEMENT MAN (2017) - DUTCH PRESS:

​

Barn Owl Blues (Netherlands)
OOR
 (Netherlands)
Krenten Uit De Pop (Netherlands)
Real Roots Cafe (Netherlands)
Johnny's Garden (Netherlands)
Jaks Schuit - Verhalen en recensies (Netherlands)

​

​

PRAISE FOR CAMPFIRES ON THE MOON (2015):

​

“One of Canada’s most sensitive and brilliant singer-songwriters”
– Adrian Mack, The Georgia Straight

​

“Seasoned Vancouver singer-songwriter Rodney DeCroo opens up his weathered heart on his latest album…one that never dares to stop questioning, begging for an answer, and hoping for something better.”
– Francois Marchand, Vancouver Sun

​

“Haunting twang and poetic snapshots…the album really is a thing of beauty.”
– Mike Kissinger, Vancouver Courier

​

“The revelatory nature of his songwriting, […] is as potent as ever on Campfires on the Moon. […] Atmospheric but in no way sedate, Campfires on the Moon makes use of all that room to emphasize its ideas.”
– Paul Blinov, Vue Weekly

​

“One of our very best roots-based troubadours…Campfires on the Moon is another first-class effort.”
– Kerry Doole, New Canadian Music

​

​

​

PRAISE FOR ALLEGHENY (2012):

​

“One of the best, most unflinchingly honest records of the year. If the singer, poet, or whatever you want to call him somehow isn’t on your radar yet, this is where you really need to ask yourself why.”
-Mike Usinger, Georgia Straight

​

“I’ve always enjoyed DeCroo’s earlier stuff for it’s grit and often original take on country and folk music, but his sixth album is something else altogether. Allegheny is a collection of DeCroo’s poems set to music; it is gripping, compelling and genuine.”
-Derek Bird, CBC Music

​

“Allegheny is an open-hearted attempt at reclaiming the past to look to the future. Allegheny’s spirit hits right where it counts.”
-Francois Marchand, The Vancouver Sun

​

​

​

 PRAISE FOR QUEEN MARY TRASH (2010):

​

 “There’s no trail off and no filler. If you only buy one double album this decade, make sure it is this one.”
–Leicester Bangs, UK

​

“You ain’t Steve Earle, You ain’t Neil Young, you ain’t Bob Dylan,” he sings in “You Ain’t No One”. But he is Rodney DeCroo, which is really starting to count for something.”
-Exclaim Magazine

​

“Queen Mary Trash showcases songwriting that Steve Earle, John Fogerty or Son Volt would envy.”
-Prairie Dog (Regina)

​

“Goddamn! DeCroo’s latest, Queen Mary Trash, is one of his finest efforts.”
– Left Hip (Montréal)

 

 

​

PRAISE FOR MOCKINGBIRD BIBLE (2008):

​

“A transcendent work of art.”
-No Depression (USA)

​

“Mockingbird Bible is a soulful, quiet and absolutely brilliant collection of songs from one of Canada’s premier musical talents. DeCroo has yet again proven himself to be one of the country’s best songwriters.”
-24 Hours

​

“Mockingbird Bible is an instant roots classic.”
-Lethbridge Herald

 

 

​

 PRAISE FOR WAR TORN MAN (2006):

​

“His high, rough and robust vocals suggest Neil Young and Bob Dylan, though it’s really the former, and Steve Earle to boot, that War Torn Man’s 13 tunes bring to mind. It isn’t just the raw, rugged, blues-charged country rock, though, it’s DeCroo’s clear-eyed, deftly articulated conveyance of both his own hard-knock history and the hard knocks recent history has dealt so many.
-Montréal Mirror

​

“This album knocked me out within 30 seconds of hitting ‘play’ and has continued to relentlessly beat the shit out of me.”
-Now Magazine (Toronto)

​

“Every now and again an album comes along that right from the opening bars you just know it’s gonna be on the nail.
This is such an album.”

-Americana UK

RODNEY DECROO

LABEL & MANAGEMENT

KATE WATTIE, Tonic Records

kate@tonicrecords.com 

tonicrecords.com

PUBLICITY (CA)

JASON SCHNEIDER, Jason Schneider Media

jasonscheidermedia@gmail.com

jasonschneidermedia.com

CONTACT

PUBLICITY (EU)

JAN JANSSEN, JohThe Ma Promotions

johthema.promotions@gmail.com

johthemapromotions.com

bottom of page